Review: Aditya Chopra’s Befikre

I wonder what films Aditya Chopra watches. I wonder who the reclusive filmmaker meets and speaks to in real life, and what on earth he imagines lovers and romantics to be doing. Perhaps he, who obviously watches his own iconic success Dilwale Dulhaniya Le Jaayenge a million times over, believes (and hopes) they do the […]

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Review: Sujoy Ghosh’s Kahaani 2

Sujoy Ghosh knows flavour. Few directors are as adept at creating atmosphere so swiftly and effectively, and Ghosh soaks his cinema in a seemingly authentic world. Authentic smelling, even, given the way his new film shows us Vidya Balan shielding her nose before entering a humid crowd, and the stains of sweat around her armpits […]

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Review: Gauri Shinde’s Dear Zindagi

The intermission is a nightmare. This is true for the format in which Hindi cinema is traditionally exhibited, as the interruption creates a narrative chasm that messes up both filmgoer and filmmaker, but it is doubly true for Dear Zindagi, which ingeniously uses a bad dream to slap recess upon us and allow us out […]

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Review: Karan Johar’s Ae Dil Hai Mushkil

The film opens with Ranbir Kapoor’s character, Ayan, talking to an interviewer. She commends the singer on the fact that he’s broken through and found a foothold in music, “that too non-film,” and in a couple of lines, he calls his love “aamir” — which is to say the kind that cannot die. It is […]

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Review: Ron Howard’s Inferno

Tom Hanks is not Nicolas Cage. This, for the most part, is a good thing. Academy Award winners both, Hanks and Cage first made their bones with off-kilter comedies where Hanks played the wonderful regular guy gone a bit wonky, while Cage played the wonky guy with just a touch of regular. As they moved […]

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Review: Nitya Mehra’s Baar Baar Dekho

I wonder if Katrina Kaif is good at poker. In Baar Baar Dekho, Kaif wears an all-encompassing blankness, looking like a striking but not altogether realistic waxwork. She’s a vision, albeit one whose accent-soaked Hindi — more unbearable than ever — gets in the way of possible appreciation, and I wager she’d be an unnerving […]

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Review: Remo D’Souza’s A Flying Jatt

The good thing about casting Tiger Shroff as a superhero is that, thanks to his fluidly lithe movements, it does sometimes become hard to spot where the actual moves stop and the wire-work begins. Watching Shroff, an endearing, almost unbearably earnest performer, reminds me of those early Salman Khan days when he was a lanky […]

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Review: David Ayer’s Suicide Squad

Remember how the iPod changed the way we shared music? We used to carry around a tape or a CD and play someone a track or two, but when we started easily (and indiscriminately) lugging around our entire vaults, the temptation to jump from one track to another got too intense. We’d play a slice […]

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Review: Rohit Dhawan’s Dishoom

There are some filmmakers who make feature-length trailers. They think they’re making an action movie, of course, but the fact is that everything — from an overabundance of slow-motion, to the way words like “one day ago” fly across the screen in the Dhoom font, and the way the film starts and ends with music […]

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