Review: Nitesh Tiwari’s Dangal

This summer, India learnt the name Produnova. An intricate gymnastic move named after a legendary Russian athlete, the Produnova is a vault so complex that only five gymnasts have actually executed it. The Olympic gold-medallist and reigning queen of the sport, American gymnast Simone Biles shuns it entirely, saying, “I’m not trying to die.” This […]

Read more

Review: Aditya Chopra’s Befikre

I wonder what films Aditya Chopra watches. I wonder who the reclusive filmmaker meets and speaks to in real life, and what on earth he imagines lovers and romantics to be doing. Perhaps he, who obviously watches his own iconic success Dilwale Dulhaniya Le Jaayenge a million times over, believes (and hopes) they do the […]

Read more

Review: Sujoy Ghosh’s Kahaani 2

Sujoy Ghosh knows flavour. Few directors are as adept at creating atmosphere so swiftly and effectively, and Ghosh soaks his cinema in a seemingly authentic world. Authentic smelling, even, given the way his new film shows us Vidya Balan shielding her nose before entering a humid crowd, and the stains of sweat around her armpits […]

Read more

Review: Gauri Shinde’s Dear Zindagi

The intermission is a nightmare. This is true for the format in which Hindi cinema is traditionally exhibited, as the interruption creates a narrative chasm that messes up both filmgoer and filmmaker, but it is doubly true for Dear Zindagi, which ingeniously uses a bad dream to slap recess upon us and allow us out […]

Read more

Review: Karan Johar’s Ae Dil Hai Mushkil

The film opens with Ranbir Kapoor’s character, Ayan, talking to an interviewer. She commends the singer on the fact that he’s broken through and found a foothold in music, “that too non-film,” and in a couple of lines, he calls his love “aamir” — which is to say the kind that cannot die. It is […]

Read more